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FEATURE 03 — SUPER EDIT

The editing desk: Super Edit

A multi-track timeline, real-time preview and hardware-accelerated rendering — the shot below comes from a real session.

Super Edit fullscreen — subtitled footage in the viewer, clips and audio waveforms on the timeline

The edit — let the AI do it

14 raw minutes → 3.5: the best moments are picked and the silences cut automatically.

AI EDIT Threshold: Normal · Shortest silence: 0.35 s
RAW RECORDING 14:02
threshold
0 silences found · gaps closing
EDITED 14:02
✓9 silences dropped · 14:02 → 3:41 · best 5 moments picked

Let it write the subtitles

Speech becomes time-stamped lines; style, position and translation are yours.

Style: White + outline Translation: none

The frame follows the face

When a landscape video becomes vertical, the camera follows the person on its own.

SOURCE · 16:9 · camera panning
OUTPUT · 9:16
Blurred fillSmart cropFollow the faceGame + camera
Follow: Largest face Tracking smoothness: Normal

The cuts land on the beat

Musical beats are detected, and the cuts change exactly with the rhythm.

128 BPM Every: 1/1 — every beat
⇥ snapped to the nearest beat cut on the beat Beat zoom: Hard hit 1.30×

The real interface — four settings at work

These four shots come from Super Edit itself: the panels on the left, the settings list on the right and the layers below are the real interface. The footage on the canvas is illustrative. The app itself ships with a Turkish interface — the labels in these stills were translated for this page.

The real Super Edit interface — the Transitions gallery open in the Library, a soft transition between two scenes on the canvas
TransitionsPick from the library: crossfade, to black, to white, wipe, motion… A transition goes in by dragging it between two clips.
The real Super Edit interface — the Fill Style gallery open, a vertical composition with blurred fill on the canvas
Fill StyleFive ways to fit a landscape video onto a vertical canvas: Fit, Fill, Blur+small, Blur+close, Top+Bottom.
The real Super Edit interface — the selected-item panel open, a dashed motion path, keyframe diamonds and a handled box on the canvas
Keyframe & MotionHit record and drag the element in the preview — every touch becomes a keyframe on its own fraction of a second, and the path is drawn on the canvas.
The real Super Edit interface — the Clean audio section open in the AI Cutting panel, noisy and cleaned waveforms compared on the canvas
Clean / separate audioSweep the noise away with one button and split music from speech — and cut the rumble below 80 Hz if you like.

Layout and composition

Split, layer and align clips on a single canvas. Fill the preset however you like: a different clip in each panel, or several crops of the same clip — at 16:9, 1:1, 9:16 or any size you want, with nothing squashed.

Ways to fill a preset — separate clips A, B, C into the panels; three different crops of one clip; the same preset at 16:9, 1:1 and 9:16

HOW TO FILL A PRESET — SEPARATE CLIPS (A·B·C) · DIFFERENT CROPS OF ONE CLIP · AT ANY RATIO

PICK A READY-MADE PRESET — ALL 10 IN THE APP · SAME CLIPS, TEN DIFFERENT LAYOUTS (9:16)

Grid preset — four equal panels in a 2×2 arrangement
Grid1–6 equal panels, vertical or horizontal; the dividers move by hand.
PiP preset — full-frame video with a small camera in the bottom-right corner
PiP — cornerOne full frame, one small in the corner. The classic screen recording + camera.
70/30 preset — large on top, narrow panel below
70 / 30Two unequal panels; swap them on the map and it becomes 30/70.
1 large + 2 preset — the big scene on top, two panels below
1 large + 2The reaction-video preset: a big scene with two reactions underneath.
1 large + 3 preset — the main angle on top, three panels below
1 large + 3Multi-camera: the main angle on top, three supporting angles below.
PiP ×2 preset — full-frame video and two corner cameras
PiP ×2Full frame plus two corner cameras — duo streams, double reactions.
Centre card preset — blurred background with a landscape video card in the middle
Centre cardA blurred fill behind; the landscape video sits in the middle like a card.
2 on top + 1 wide preset — two panels on top, a wide screen below
2 on top + 1 wideTwo speakers on top, the shared screen below — the inverse of 1+2.
1 large + 4 preset — the main shot with four small strips below
1 large + 4Five panels: the main shot plus four strips. Tournaments, multiple guests.
Sandwich preset — thin top band, wide middle, thin bottom band
SandwichThin / wide / thin: it makes room for a title and a subtitle band.
Freeform mode, copy an area — the area you draw in the preview is copied on top as its own layer; drag it and scale it

SECOND MODE: FREEFORM — DRAW AN AREA IN THE PREVIEW AND IT IS COPIED ON TOP AS ITS OWN LAYER; DRAG, SCALE, ANIMATE

Draw on top of the video

Arrows, circles and freehand strokes play along with the recording — made for lessons and sports commentary. Every stroke is tied to time: it appears when you want and disappears when its time is up.

LIVE DRAWING · plays with the recording
✏︎ Pen↗ Arrow◯ Circle▭ Box🔦 Spot
stroke 00:03.2 → 00:07.0

In bulk — all at once

Apply a setting to every clip you selected, not just one — subtitles, colour and ratio all queue up in a single pass.

street_01.mp4✓
waterfall_02.mp4✓
coffee_03.mp4✓
studio_04.mp4✓
field_05.mp4✓
SubtitlesColourRatio 9:16
0/5 clips · in one queue

Censoring that follows its target

The blur stays on the area you picked even as it moves — a face, a plate, a screen.

OBJECT TRACKING · blur locked to the target
BlurPixelBlock
Target: face · tracking: on · MOSSE

Before and after: one chain

Colour, chroma key, blur and glow are applied in order; compare the result instantly with the slider.

RAWGRADED
ColourChroma keyBlurGlow
The chain runs in order

Speech calls in the B-roll

Cutaway footage that matches the idea being spoken is found and dropped onto the right second by itself.

B-ROLL · 2.4 s
the idea in the speech → the right second

It cleans the audio for you

Noise is reduced with one click, and speech is separated from music.

RECORDING · noisy room
RAW
CLEAN
Reduce noiseSplit speech / musicCut below 80 Hz
Strength: 70%

Dubbing and translation — right in the editor

Speech is translated into one of 13 languages and read again in an AI voice; the music and effects stay where they are, and each speaker gets a voice of their own. When you press «APPLY», the «Dubbing & Read aloud» group of Auto Edit dubs every clip or only the selected one, and can burn the dubbed text in as subtitles too. Undo brings the original sound back.

EN→ES Speaker 1 · female voice Speaker 2 · male voice
EN
DUBBING · 13 LANGUAGES
ORIGINAL
DUB
Full dubVoice-over dubAlso burn in as subtitles
Listened back: 0/12

Every text gets a voice

At the end of «APPLY», every text item on the timeline can be read aloud, and each selected text also has a «Voice it» button in the right panel. While a reading plays, the other sounds dip — in the preview and in the exported video.

TEXT · being read aloud
READING
MUSIC
Voice itTone: Natural
Music: 100%

Search from the editor — video, music, images

Search all three without leaving the edit: new footage, music that arrives as MP3, and images that land on the scene as a layer. The logic never changes — type, preview, and one click drops it into your project.

Preview before downloadingNo API key neededOne click into the project
And more

All of it ships with the install — no extra packs, plug-ins or subscriptions.

Keyframe animation Object tracking Transitions Chroma key Voice-over Beat sync NVENC hardware rendering Three ratios, one render
KEEP READING

The rest of the app

Download Weorclip — free

Link downloading, live clip capture and Super Edit — one install, all on your own computer.

Download — Windows 10/11

52 MB · ~2 MIN TO INSTALL · NO ACCOUNT NEEDED